This morning we left the Dead Sea, made our way to the border crossing at the King Hussein Bridge into Israel, and arrived after dark at Tiberias on the Sea of Galilee, with brief stops at Jerusalem and Caesarea on the way. We plan as time permits to share more photos/info from this past week in Jordan, as well as more to come in Israel.
For tonight I wanted to mention Zarethan in the Jordan Valley, of biblical significance in the Old Testament. When Solomon was building the temple and its vessels, some of the metal casting (bronze) was done in the area of Zarethan.
Zarephan, mentioned in connection with casting bronze for use in Solomon’s temple. Photo by Leon Mauldin.
1 Kings 7:
40 Now Hiram made the basins and the shovels and the bowls. So Hiram finished doing all the work which he performed for King Solomon in the house of the LORD: 41 the two pillars and the two bowls of the capitals which were on the top of the two pillars, and the two networks to cover the two bowls of the capitals which were on the top of the pillars; 42 and the four hundred pomegranates for the two networks, two rows of pomegranates for each network to cover the two bowls of the capitals which were on the tops of the pillars; 43 and the ten stands with the ten basins on the stands; 44 and the one sea and the twelve oxen under the sea; 45 and the pails and the shovels and the bowls; even all these utensils which Hiram made for King Solomon in the house of the LORD were of polished bronze. 46 In the plain of the Jordan the king cast them, in the clay ground between Succoth and Zarethan. (verses 40-46)
The British Museum website has some interesting info:
Tell es Sa’idiyeh, identified as the biblical city of Zarethan, lies at the heart of the central Jordan Valley. The huge, double occupation mound occupies a key strategic position, commanding the crossroads of two major trade routes, and dominating some of the richest and most fertile agricultural land east of the River Jordan.
Excavations undertaken since 1985, by a British Museum expedition under the direction of Jonathan N. Tubb, have revealed the great antiquity of the site’s occupational history, with settlement phases extending from the Early Islamic period of the seventh century AD, as far back at least as the Early Bronze Age of the third millennium BC. Excavations have shown that by about 2900 BC, Tell es-Sa’idiyeh was a large and prosperous city, with well constructed architecture and evidence for highly developed municipal planning. The most significant finding in this Early Bronze Age phase has been of a large palace complex on the lower tell, with areas set aside for olive oil production and storage, wine-making and textile preparation. All three of these activities were conducted on an industrial scale, clearly designed for international commerce. The pottery and other artifacts recovered from this early city display a level of refinement and sophistication unparalleled elsewhere in the Levant.
Equally remarkable discoveries relate to the city of the twelfth century BC, where excavations have uncovered evidence to suggest that Tell es-Sa’idiyeh, like Beth Shan or Gaza on the other side of the Jordan River, was a major centre for the Egyptian control of Canaan during the final years of its New Kingdom empire. Substantial architecture, including an elaborate water system and Egyptian-style public buildings have been found on the upper mound, and the same strong Egyptian component is also found in the contemporary cemetery which was cut into the long-abandoned and eroded ruins of the Early Bronze Age city on the lower mound. The expedition has excavated, to date, some 450 graves, many of which show unusual Egyptian features, both in terms of the grave-goods and burial customs. (http://www.britishmuseum.org/research/research_projects/tell_es-sa%E2%80%98idiyeh_excavations.aspx).
A couple of days ago I posted a sunset view of the Dead Sea; here is our view of the Dead Sea from the Jordan side looking across to Israel this morning.
Morning view of Dead Sea looking west. Photo by Leon Mauldin.
Click images for larger view.